|  | | | | | | From Chapter 3: It is a little curious, considering the devotion of latter-day men of letters to tobacco, that in their early days so many of the men who wrote on the subject attacked the social use of tobacco with violence and virulence. Perhaps, courtier-like, they followed the lead of the British Solomon, King James I. Their titles are characteristic of their style. A writer named Deacon published in 1616 a quarto entitled "Tobacco tortured in the filthy Fumes of tobacco refined"; but Joshua Sylvester had easily surpassed this when he wrote his "Tobacco Battered and the Pipes Shattered about their Eares, that idely Idolize so base and barbarous a Weed, or at least overlove so loathsome a Vanity, by a Volley of Holy Shot Thundered from Mount Helicon," 1615. Controversialists of that period rejoiced in full-worded titles and in full-blooded praise or abuse.
From Chapter 8: smoking had certainly not died out at Cambridge, even at the time when Denison was at Oxford. According to the "Gradus ad Cantabrigium," 1824, the Cambridge smart man's habit was to dine in the evening "at his own rooms, or at those of a friend, and afterwards blows a cloud, puffs at a segar, and drinks copiously." The spelling of "segar" shows that cigars were then somewhat of a novelty.
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From Chapter 3: Taking the whiff, it has been suggested, may have been either a swallowing of the smoke, or a retaining it in the throat for a given space of time; but what may be meant by the "Cuban ebolition" or the "euripus" is perhaps best left to the imagination. "Ebolition" is simply a variant of "ebullition," and "ebullition," as applied with burlesque intent to rapid smoking—the vapour bubbling rapidly from the pipe-bowl—is intelligible enough, but why Cuban? "Euripus" was the name, in ancient geography, of the channel between Eubœa (Negropont) and the mainland—a passage which was celebrated for the violence and uncertainty of its currents—and hence the name was occasionally applied by our older writers to any strait or sea-channel having like characteristics. The use of the word in connexion with tobacco may, like that of "ebolition," have some reference to furious smoking, but the meaning is not clear.
From Chapter 7: The examples and illustrations which have been given so far in this chapter relate to tradesmen and merchants, country gentlemen and the clergy. Other professional men smoked—we read in Fielding's "Amelia" of a doctor who in the evening "smoked his pillow-pipe, as the phrase is"—and among the rest of the people of equal or lower social standing smoking was as generally practised as in the preceding century. Handel, I may note, enjoyed his pipe. Dr. Burney, when a schoolboy at Chester, was "extremely curious to see so extraordinary a man," so when Handel went through that city in 1741 on his way to Ireland, young Burney "watched him narrowly as long as he remained in Chester," and among other things, had the felicity of seeing the great man "smoke a pipe, over a dish of coffee, at the Exchange Coffee-house," which was under the old Town Hall that stood opposite the present King's School, and in front of the present Town Hall. Gonzales, in his "Voyage to Great Britain," 1731, says that the use of tobacco was "very universal, and indeed not improper for so moist a climate." He tells us that though the taverns were very numerous yet the ale-houses were much more so. These ale-houses were visited by the inferior tradesmen, mechanics, journeymen, porters, coachmen, carmen, servants, and others whose pockets were not equal to the price of a glass of wine, which, apparently, was the more usual thing to call for at a tavern, properly so called. In the ale-house men of the various classes and occupations enumerated, says the traveller, would "sit promiscuously in common dirty rooms, with large fires, and clouds of tobacco, where one that is not used to them can scarce breathe or see."
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Tobacco History:
Cigarettes and Literature
From Chapter 2: Among the general audience of the theatre smoking seems to have been usual also. The anti-tobacconists among those present, few of whom were men, must have suffered by the practice. In that admirable burlesque comedy by Beaumont and Fletcher, "The Knight of the Burning Pestle," 1613, the citizen's wife, addressing herself either to the gallants on the stage, or to her fellow-spectators sitting around her, exclaims: "Fy! This stinking tobacco kills men! Would there were none in England! Now I pray, gentlemen, what good does this stinking tobacco do you? Nothing, I warrant you; make chimneys a' your faces!" But many women viewed tobacco differently, as we shall see in the chapter on " smoking by Women." Moreover, this good woman herself, in the epilogue to the burlesque, invites the gentlemen whom she has before abused for smoking, to come to her house where she will entertain them with "a pottle of wine, and a pipe of tobacco."
From Chapter 6:
The attractions and the atmosphere of provincial coffee-houses were much the same as those of the London resorts. A German gentleman who visited Cambridge in July and August 1710 remarked that in the Greeks' coffee-house in that town, in the morning and after 3 o'clock in the afternoon, you could meet the chief professors and doctors, who read the papers over a cup of coffee and a pipe of tobacco. One of the learned doctors took the German visitor to the weekly meeting of a Music Club in one of the colleges. Here were assembled bachelors, masters and doctors of music of the University—no professionals were employed—who performed vocal and instrumental music to their mutual gratification, though, apparently, not to the satisfaction of the visitor, who records his opinion that the music was "very poor." "It lasted," he says, "till 11 P.M., there was besides smoking and drinking of wine, though we did not do much of either. At 11 the reckoning was called for, and each person paid 2 s."
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